inwardness

英 [ˈɪnwədnəs]

美 [ˈɪnwərdnəs]

n.  心性; 灵性; 精神性

BNC.47285 / COCA.32769

牛津词典

noun

• 心性；灵性；精神性
  interest in feelings and emotions rather than in the world around

双语例句

• From the Angle of psychological treatment study zen inwardness theory has great practical significance.
  从心理治疗的角度研究禅宗心性论具有很大的现实意义。
• Thinking about the Instruction of the Inwardness and Politic to the Advanced Sports Team in our Institute at the New Times The Inspiration from the Effect of Marxism Human Nature View on the Politic Work
  新形势下加强我院优秀运动队思想政治工作的思考马克思主义人性观对思想政治教育的启示
• In nature, specifically, where the idea has the form both of otherness and of self-externality, quantity also has-precisely for this reason-greater importance than in the world of the spirit, which is a world of free inwardness.
  在自然界里量是理念在它的“异在”和“外在”的形式中，因此比其在精神界或自由的内心界里，量也具有较大的重要性。
• Influenced by Confucianism and Daoism, Buddhism was developing into a religious system focusing on inwardness.
  中国佛教受到儒道心性论的影响，也逐渐出现了向内转的趋势，并最终发展成为以心性为特质的宗教体系。
• In front of spiritual homeland, your any thread of falter, could let you lose precious inwardness, and place yourself in the temptation of the secular world.
  面对精神的故乡，你的任何一丝摇摆不定，都有可能使你丧失珍贵的心智，而置身现世的迷惑。
• Inwardness and Outwardness of New Age Chinese-English Dictionary
  《新时代汉英大词典》之内向性与外向性
• Here, we may think, is the typical Boston inwardness.
  我们可能认为这是波士顿人的本性。
• It most typically and clearly reflected the inwardness of integrating culture with commerce, linking culture with worldly life, making culture serve the commerce and worldly life.
  它最为典型、最为明确地反映了文化与商业相结合、文化与世俗生活相结合，文化为商业服务、文化为世俗生活服务的性质。
• In order to indulge with its light, inwardness and variegation, one maybe neglect times, even all over the world!
  为了迷恋它的光蕴、灵性、斑驳、忽略时间、忽略一切！
• In the Ming and Qing dynasty, with the emphasis of form itself and expression of the law communicated subjective internal, law became the bridge between shape and inwardness, and made its unique contributions to the communication between an object and man in Chinese paintings.
  明清两代，随着重笔墨和主观精神的表现，理成为形与意的桥梁，为沟通中国画中的物我之意作出独特贡献。